They're not, but on the whole they are different. It prompted a shitstorm of responses, mainly from people who assumed that I think vinyl is superior, and that the people who buy their music on vinyl are superior human beings. How could this anticlimax have been circumvented? One suggestion I made was releasing the vinyl version one or two weeks ahead of a digital. By making it just another option on an endless try-before-you-buy taster menu, Columbia Records might have done the album a disservice. It seemed to me that streaming Random Access Memories free and ahead of its official release might have backfired. It sat in my collection for about eight years, receiving only the occasional play, before I suddenly realised that this might be one of my favourite records of all time. I bought Pentangle's Sweet Child when I was 17. And yet, I would say that at least half of my 100 favourite albums revealed their charms gradually, over repeated listens. What seemed striking was that they didn't seem to consider that some songs might require a bit of application from the listener. After three weeks of living with Get Lucky, the consensus among about two-thirds of the first people who heard it was that, well, it could have done with a few more Get Luckys. Earlier this year, I wrote about trying to make sense of the early reaction to Daft Punk's Random Access Memories when it became available to stream on iTunes a week ahead of release.
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